The Use of Kinesthetic Perception in Music Education at Primary School

Authors

  • Iveta Kepule

DOI:

https://doi.org/10.17770/sie2012vol1.22

Keywords:

kinesthetic perception, music teaching, teaching methods

Abstract

The article looks at the opportunities to use kinesthetic perception in music teaching taking as a basis H.Gardner’s theory of intellectual abilities and in connection with methodological approaches of E.J.Dalcroze, Z.Kodaly, C.Orff to music teaching. The variants of music language, music perception and creative activity which are offered in the article facilitate a simpler and more dynamic mastery of the taught music content, which in its turn creates positive conditions for students’ self-realization in music teaching. The compulsory content of music education is examined in connection with the „Regulations on the state standard of basic education and standards in subjects” in music.

Downloads

Download data is not yet available.

References

Ayres, A. J. (1998). Bausteine der kindlichen Entwicklung. Die Bedeutung der Integration der Sinne fur die Entwicklung des Kindes. Berlin, 277 S

Dalcroze, E.J. (first publ. 1912). Eurhythmitc of Jaques-Dalcroze. London: Constable&Company LTD

Eidiņš, A. (1974). Muzikālās audzināšanas metodika. Rīga: Zvaigzne, 251 lpp.

Feucht A.H (1998). Teaching the Kodaly concept of music education with deliberate application of Hovard Gardner’s theory of multiple intelligences in grades one, two and three. Faculty of the department of music Silver Lake college. Copyright 2011 by ProQuest LLC. 97 p. UMI Number: EP31754

Fišers, R. (2005). Mācīsim bērniem domāt. Rīga: RaKa, 325 lpp.

Gardner, H.(2000). Intelligence Reframed: Multiple Intelligences for the 21st Century. New York: Basic, 304 p.

Gellrich, M. (1998). Ueber den Aufbau motorischer Schemata bei Instrumentelspiel. In G.Mantel, (Hg.). Ungenutzte Potentuale: Wege uz konstruktivem Ueben. Mainz: Schott Musik International, S. 131.-151.

Jank,W. (2005). Musik-Didaktik. Cornelsen Verlag Scriptor GmbH&Co. KG, Berlin, 256S

Kloppel, R.(2003). Die Kunst des Musizierens. Mainz: Schott Musik International, 288 S

Mason, E.J. (2008). Kodaly or Orff: Preservise teachers’ perceptiona and of preference for two different methodologies used in teaching elementary general music. Florida State university college of music. Copyright 2009 by ProQuest LLC. 113 p. UMI Number: 3340378

Noteikumi par valsts standartu pamatizglītībā un pamatizglītības mācību priekšmetu standartiem. 2006.gada 19.decembrī Ministru kabineta noteikumi Nr.1027 (2006). Retrieved August 23, 2011, from http://visc.gov.lv/saturs/vispizgl/standarti

Schachl, H. (2005). Was haben vir im Kopf? Linz: Veritas-Verlag, 166 S

Рубинштейн, С.Л. (2000). Основы общей психологии. Санкт-Петербург, изд.” Питер” 712 с

Downloads

Published

2015-05-09

How to Cite

Kepule, I. (2015). The Use of Kinesthetic Perception in Music Education at Primary School. SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference, 1, 86-95. https://doi.org/10.17770/sie2012vol1.22