TOWARD A TOOL KIT FOR CURATING INDIGENOUS ART: A NON-INDIGENOUS FACILITATOR’S PERSPECTIVE

Authors

  • Marija Griniuk Sámi Center for Contemporary Art, Norway; Vilnius Academy of Arts, Lithuania (NO)

DOI:

https://doi.org/10.17770/sie2024vol2.7840

Keywords:

curatorial practices, educational program, Indigenous Sámi art, Lithuania, non-Sámi project manager

Abstract

This article explores the experiences of a non-Sámi project manager and educator working with a group of Sámi curators within a unique educational program designed for the Sámi community. Based on artistic research, this study focuses on the challenges and learning opportunities encountered, emphasizing the importance of cultural exchange and understanding in the field of Indigenous art and curating. It discusses strategies applied by the non-Sámi project manager, language barriers, and the role of hands-on activities in facilitating collaboration. The research provides insights into the broader context of Indigenous curatorial practices globally and highlights the need for mutual respect and adaptation for effective collaboration in educational programs. The study’s findings contribute to discussions on navigating cultural diversity within the context of Indigenous art and curating.
Supporting Agencies
This research project by Marija Griniuk was funded by the Research Council of Lithuania (LMTLT) under agreement No. S-PD-24-49.

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Published

2024-05-22

How to Cite

Griniuk, M. (2024). TOWARD A TOOL KIT FOR CURATING INDIGENOUS ART: A NON-INDIGENOUS FACILITATOR’S PERSPECTIVE. SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference, 2, 339-347. https://doi.org/10.17770/sie2024vol2.7840