THE ROLE OF EMOTIONS IN MUSIC EDUCATION: THEORETICAL INSIGHTS
DOI:
https://doi.org/10.17770/sie2023vol1.7078Keywords:
emotion, music educationAbstract
Emotional expression has been the focus of teachers and educational researchers, as it can result in an improvement in cognitive performance. In specific settings, personal and emotional experiences can provide a steppingstone to developmental and learning processes. Emotions significantly influence learner learning and play a crucial role in quality teaching, educational reform, and learner-teacher interaction. The inherent social and communicative nature of music would make group training an excellent tool for increasing the coordination of behaviour, affect, and mental states among children. This paper aims to explore the literature on various aspects of the concept of emotions in the context of music education with the main focus on opportunities for experiencing and expressing emotion in music education, learners' positive emotion experiences in music education, teaching to generate positive emotion outcomes, and the benefits of a greater emphasis on the emotions in music education. The results of theoretical analysis indicate that music education has a particularly positive effect on identifying emotions, emotion regulation, emotion recognition, improved learning, and self-expression.
References
Barrett, L. F., Adolphs, R., Marsella, S., Martinez, A. M., & Pollak, S. D. (2019). Emotional Expressions
Reconsidered: Challenges to Inferring Emotion from Human Facial Movements. Psychological Science in the Public Interest, 20(1), 1-68.
Blasco, J. S., & Calatrava, C. (2020). Influence of music on the emotions perceived in the students of secondary and baccalaureate education. Almería, Spain: Universidad de Almería.
Brandstatter, V. & Otto, J. H. (2009). Handbook of general psychology: motivation and emotion. Gottingen: Hogrefe.
Broh, B. A. (2002). Linking extracurricular programming to academic achievement: Who benefits and why? Sociology of Education, 75(1), 69-95.
Campayo-Muñoz, E., Cabedo-Mas, A., & Hargreaves, D. (2020). Intrapersonal skills and music performance in elementary piano students in Spanish conservatories: Three case studies. International Journal of Music Education, 38(1), 93-112.
Campos, J. J., Mumme, D. L., Kermoian, R., & Campos, R. G. (1994). A functionalist perspective on the nature of emotion. Monographs of the Society for Research in Child Development, 59(2-3), 284-303.
Collier, G. (2014). Emotional expression. New York: Psychology Press.
Cowen, A. S., & Keltner, D. (2017). Self-report captures 27 distinct categories of emotion bridged by continuous gradients. Psychological and cognitive sciences, 114(38), 900-909.
Cross, I. (2014). Music and communication in music psychology. Psychology of Music, 42, 808-819.
Dael, N., Mortillaro, M., & Scherer, K. R. (2012). Emotion expression in body action and posture. Emotion, 12(5), 1085-1101.
Denzin, N. K. (2009). On Understanding Emotion. New Brunswick. NJ: Transaction Publishers.
Dixon, T. (2012). “Emotion”: The History of a Keyword in Crisis. Emotion Review, 4(4), 338-344.
Eerola, T., Vuoskoski, J., Peltola, H., Putkinen, V., & Schafer, K. (2018). An integrative review of the enjoyment of sadness associated with music. Physics of Life Reviews, 25, 100-121.
Ekman, P., & Cordaro, D. (2011). What is Meant by Calling Emotions Basic. Emotion Review, 3, 364-370.
Fredrickson, B. L. (2001). The role of positive emotions in positive psychology: The broaden-and-build theory of positive emotions. American Psychologist, 56, 218-226.
Frenzel, A. C., Daniels, L., & Burić, I. (2021). Teacher emotions in the classroom and their implications for students. Educational Psychologist, 56(4), 250-264.
Frijda, N. H. (1986). The emotions. Cambridge University Press; Editions de la Maison des Sciences de l'Homme.
Jacobi, B. S. (2012). Opportunities for Socioemotional Learning in Music Classrooms. Music Educators Journal, 99(2), 68-74.
James, W. (1948). What is emotion? 1884. In W. Dennis (Ed.), Readings in the history of psychology (290-303). Appleton-Century-Crofts.
Jasper, J. M. (2011). Emotions and social movements: Twenty years of theory and research. Annual Review of Sociology, 37, 285-303.
Juslin, P. N., & Laukka, P. (2003). Communication of emotions in vocal expression and music performance: Different channels, same code? Psychological Bulletin, 129(5), 770-814.
Juslin, P., Liljestrom, S., Vastfjall, D., Barradas, G., & Silva, A. (2008). An Experience Sampling Study of Emotional Reactions to Music: Listener, Music, and Situation. Emotion, 8(5), 668-683.
Keltner, D., Sauter, D., Tracy, J., & Cowen, A. (2019). Emotional Expression: Advances in Basic Emotion Theory. Journal of Nonverbal Behavior, 43, 133-160.
Lambie, J. A., & Marcel, A. J. (2002). Consciousness and the varieties of emotion experience: a theoretical framework. Psychological Review, 109(2), 219-259.
Laukka, P., Eerola, T., Thingujam, N., Yamasaki, T., & Beller, G. (2013). Universal and Culture-Specific Factors in the Recognition and Performance of Musical Affect Expressions. Emotion, 13, 434-449.
Nieminen, S., Istók, E., Brattico, E., & Tervaniemi, M. (2012). The development of the aesthetic experience of music: Preference, emotions, and beauty. Musicae Scientiae, 16, 372-391.
Pare, G., Trudel, M. C., Jaana, M., & Kitsiou S. (2015). Synthesizing information systems knowledge: A typology of literature reviews. Information & Management, 52(2).
Pekrun, R. (2017). Achievement emotions. In A. J. Elliot, C. S. Dweck & D. S. Yeager (Eds.), Handbook of competence and motivation: Theory and application (251-271). The Guilford Press.
Pekrun, R., & Linnenbrink-Garcia, L. (2014). Introduction to emotions in education. International handbook of emotions in education, 1–10.
Pekrun, R., Lichtenfeld, S., Marsh, H.W., Murayama, K., & Goetz, T. (2017). Achievement emotions and academic performance: Α longitudinal model of reciprocal effects. Child Development, 88(5), 1653-1670.
Pekrun, R., Muis, K. R., Frenzel, A.C., & Goetz, T. (2018). Emotions at School. New York: Routledge.
Pellitteri, J. S. (2006). The use of music in facilitating emotional learning. In J.S. Pellitteri, R. Stern, & C. Shelton (Eds) Emotionally Intelligent School Counseling. Mahwah, NJ, USA: Erlbaum.
Quinlan, K. M. (2016). How higher education feels: Poetry that illuminates the experiences of learning, teaching and transformation. Boston: Sense Publishers.
Richards, J. C. (2022). Exploring Emotions in Language Teaching. RELC Journal, 53(1).
Russell, J. A. (1994). Is there universal recognition of emotion from facial expression? A review of the cross-cultural studies. Psychological Bulletin, 115(1), 102-141.
Schellenberg, E. G., & Mankarious, M. (2012). Music training and emotion comprehension in childhood. Emotion, 12(5), 887- 891.
Shuman, V., & Scherer, K. R. (2014). Concepts and structures of emotions. In R. Pekrun & L. Linnenbrink-Garcia (Eds.), International handbook of emotions in education (13-35). New York: Taylor & Francis.
Valiente, C., Swanson J., & Eisenberg, N. (2012). Linking students’ emotions and academic achievement: When and why emotions matter. Child Development Perspectives, 6, 129-135.
Varadi, J. (2022). A Review of the Literature on the Relationship of Music Education to the Development of Socio-Emotional Learning. SAGE Open, 12(1), 1-11.
Varner, E. (2020). General Music Learning Is Also Social and Emotional Learning. General Music Today, 33(2), 74-78.
Vygotsky, L. S. (1930/1997). On psychological systems. In R. W. Rieber & J. Wollock (Eds.), The collected works of L. S. Vygotsky: Problems of the theory and history of psychology (91-108). New York: Plenum.
Vygotsky, L. S. (1934/1987). Thinking and speech (N. Minick, Trans.). In R. Rieber & A. Carton (Eds.), The collected works of L.S. Vygotsky (39-285). New York: Plenum.
Wang, Y. (2021). What Is the Role of Emotions in Educational Leaders’ Decision Making? Proposing an Organizing Framework. Educational Administration Quarterly, 57(3), 372-402.