ANTHROPOLOGICAL DIMENSIONS OF THE MODERN MUSICAL ART OF EASTERN EUROPE

Authors

  • Olena Vereshchahina-Biliavska Vinnytsiа Mykhailo Kotsiubynskyi State Pedagogical University
  • Nataliia Mozgalova Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University
  • Iryna Baranovska Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University
  • Yuliia Moskvichova Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University
  • Olesia Cherkashyna Vinnytsiа Mykhailo Kotsiubynskyi State Pedagogical University

DOI:

https://doi.org/10.17770/sie2021vol4.6331

Keywords:

postmodernism, polystylistics, monostylistics, religiosity, spiritual genres, meditation

Abstract

The peculiarities of the world model and the human model in the Eastern European music art of the postmodern era were revealed. The research is based on a hermeneutical analysis of the contemporary Russian and Ukrainian composers’ works. The research method builds on the systematic and historical approaches. It allows to consider the individual musical text as a subsystem of a higher order system. The sociocultural context was considered. The scientific novelty consists in revealing the specifics of the Eastern European artists’ worldview of the last third of the XX and beginning of the XXI centuries. It is the consequence of studying their creativity in an anthropological dimension. The anthropological essence of the music of contemporary Ukrainian and Russian composers lies in a certain inconsistent polarity. The polarity is represented by the ironic and fragmented worldview combined with the religious quest. The awareness of the chaos and apocalyptic culture is combined with the religious support in its various manifestations. Therefore, the character in modern music has a dual essence. He is both marginal and a personality with strong spiritual support. In the works of contemporary Russian and Ukrainian composers, two postmodern worldview poles are organically combined: a destructive worldview and a desire for harmony. This polarity is caused by the crisis mentality of the modern post-totalitarian society.

 

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Author Biographies

  • Olena Vereshchahina-Biliavska, Vinnytsiа Mykhailo Kotsiubynskyi State Pedagogical University
    PhD in Art History, associate professor of the department of musicology, instrumental training and choreography
  • Nataliia Mozgalova, Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University
    Doctor of pedagogical sciences, professor, head of the department of musicology, instrumental training and choreography
  • Iryna Baranovska, Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University
    Candidate of pedagogical sciences, associate professor of the department of artistic disciplines of pre-school and primary education
  • Yuliia Moskvichova, Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University
    PhD in Art History, Associate Professor of Department of musicology, instrumental training and choreography
  • Olesia Cherkashyna, Vinnytsiа Mykhailo Kotsiubynskyi State Pedagogical University
    Ph.D. in Art History, associate professor of the department of musicology, instrumental training and choreography

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Published

2021-05-28

How to Cite

Vereshchahina-Biliavska, O., Mozgalova, N., Baranovska, I., Moskvichova, Y., & Cherkashyna, O. (2021). ANTHROPOLOGICAL DIMENSIONS OF THE MODERN MUSICAL ART OF EASTERN EUROPE. SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference, 4, 716-726. https://doi.org/10.17770/sie2021vol4.6331