THE DOLL IN THE PAINTINGS OF THE LATE 19TH – EARLY 20TH CENTURIES: HERMENEUTIC ANALYSIS

Authors

  • Natalia Bragina Glinka Nizhny Novgorod State Conservatoire (RU)
  • Jelena Jermolajeva EKA University of Applied Sciences (LV)

DOI:

https://doi.org/10.17770/sie2020vol5.4859

Keywords:

doll as a cultural phenomenon, child and doll, image of doll in painting, interpretation of doll in various art styles

Abstract

The semantics of the doll in painting is not sufficiently investigated in art history and culture studies. The doll is never an accidental or unimportant component of a painting; it reveals deep psychological and symbolic undertones, complicates and concretizes the content of the painting. Each art style deals with this topic in its own way. The aim of the article is to analyse the interpretation of the image of the doll in various styles of painting of the second half of the XIX century – beginning of the XX century: in realistic painting, in symbolism, impressionism, and modernism. The research methods are the analysis of literature, the descriptive method, the hermeneutic method, and the comparative analysis method. The article may be useful for researchers in art and cultural studies, and can be used at school and university courses in the History of Art and Culture.



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References

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Published

2020-05-20

How to Cite

Bragina, N., & Jermolajeva, J. (2020). THE DOLL IN THE PAINTINGS OF THE LATE 19TH – EARLY 20TH CENTURIES: HERMENEUTIC ANALYSIS. SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference, 5, 616-626. https://doi.org/10.17770/sie2020vol5.4859